New challenges!

A couple of days ago, at the recycling warehouse, they had a number of large (2.5m x 1.45m) !KEA pure linen curtains in a mustardy brown colour; I paid 50p each for five of them. Four were pretty much pristine & went straight off the next morning with a re-enactor friend (“A perfect medieval colour! This stuff is about £27 a metre new!”) But the fifth has some biro marks in the centre, which haven’t washed out. So I’m making myself a Japanese-style cross-over apron from it, with BIG pockets, decorated with some shibori I did on a course last year that’s been waiting for the right project.

Needless to say, there’s a reason why I’ve never done anything much with linen before; it’s tricksy stuff. Quite open-woven, with tendency to fray like mad, and it creases in seconds unless starched, which would be a bit OTT for a working apron. (But I know that with use, it softens & drapes like almost no other fabric woven from natural fibres does. And under the right circumstances, it can outlast entire dynasties – see the pleated linen dress/smock in the Petrie Museum.) I was also not sure that I’d really got my head around how the aprons actually work, so I drew up a pattern on brown wrapping paper & made up a rough toile from an old curtain lining that was just hanging around in the sewing room (actually the spare bedroom) waiting for something useful to do. The various “patterns” & instructions garnered from other makers’ blogs & Y0utube do actually work & make sense, it’s just I can’t always “see” things in 3D straight off.

Anyhoo, after idiotically forgetting to cut the “pattern” on the fold, deciding to overlock the edges & accidental centre seam for saftey’s sake and sticking pins into myself several times trying to place the pockets to best effect, I did have a wearable apron. But I wasn’t completely happy with the way that it hangs… partly down to my own shape, but partly because there’s not quite enough “body” to the fabric.

So I thought, should I have lined it? Which would be a considerable faff, making up a lining… hang on, where’s that toile? Needless to say, even adding in a pre-made lining isn’t going to be that easy… put that on hold for now.

Luckily there was plenty of curtain left to cut out another one. I removed the shibori pocket from the first effort & adjusted the “pattern” a bit; made it a little longer & a bit narrower over the shoulders. Then fetched my 505 spray – this is a light spray-on glue, much loved by quilters for stabilising layers while you work – and smoothed the rest of the old curtain lining onto the linen, then cut it out, remembering to cut on the fold this time. I decided to leave the pockets on the first iteration and cut out some more from the left-over layered bits. Hemming the bits just seemed far too much like hard work, so I edged them with some herringbone tape left over from another project. I also stitched a few lines around the neck & straps, to keep the layers reasonably well together, knowing the pockets would sort out the lower half. Some beads & stitches found their way onto the shibori pocket, too.

So, here’s my new work apron:

Which looks better on than hanging, but my assistant is off working on her knitting machine… So now, of course, I need to get that toile stitched into the first iteration, and I’ll have a fine work apron for my second allotment…

Second allotment? Yes, a half-plot has come free on the site just up the road from our home. It’s small but enchanting; it was a flat-dweller’s garden previously. There are some beautiful things there & I’ll try to keep as many of those as I can, although some are too big & hungry to continue grow alongside food plants and others will need to be moved into little areas set aside for pollinators. I’ll struggle to fit everything I want to grow in, BUT it has a wonderful half-greenhouse/half-shed that will allow me to grow far more of the tomatoes & chillis that we love, and it’s only a moment’s walk from our house. The other plot is a good mile away, which means driving if I have things to carry, and a twenty-minute walk each way when I don’t. Not to mention the constant onslaught of very determined agricultural weeds (brambles, blackthorn suckers, nettles, creeping buttercup) and pests (rats & rabbits, mostly) from the field boundary & ditch along the long edge. Also not mentioning my raspberries, which have gone feral & spread like a (very tasty) plague… So although I will miss that space, and have some crops in the ground (garlic, onions, beans) & perennial plants over there that I will miss, I will gradually wind that one down & eventually hand it over to someone with more grit!

Although I have yet to sign the lease & pay the rent, some of that rosemary will be flavouring our dinner tonight…

How NOT to…

or, a lament for the art lessons I didn’t get to go to

I’ve spent a merry weekend trying my hand at a spot of dyeing. I’ve had an idea for the next lockdown stashbuster quilt; it will be a trial run for one I’m keen to make for another “real” baby. It involves hot air balloons, and hot air balloons generally float in the sky, weather permitting. I don’t have any fabric that would work as a summer sky, but I did have an old sheet I could dye to the right sort of colour.

So I invested in a tub of Dylon’s Ocean Blue, which struck me as a fairly close colour to what I wanted. I decided to quarter the fabric & try tie-dyeing it, in a variety of patterns; I had a fairly good idea of how that’s done, and I was really pleased with the results, despite long ago having had to go & do battle with Latin and Physics in drab classrooms when my friends were having real fun dyeing & stitching in the fabulously-equipped art & craft studios at school. (That still rankles!) But I also wanted to try out stitch-resist/shibori dyeing; I have had a project in mind for years now, involving a LOT of old tablecloths of one sort or another, and shibori dyeing plays a big part in my plan. One of my fellow Guild members is rather expert at this, makes the most lovely things, and runs courses which I am keen to attend; I haven’t actually managed to get to one yet, though. But I have watched her tutorials…

I put out a plea on our local Freegle/Freecycle groups for some more old sheets to practice on, and was delighted to receive a big bag of lovely high-quality cotton sheets & linen tablecloths. I also ordered some more Dylon; I know my limitations and exact weights of chemically-lively substances are not my best starting place, especially not if my indefatigable feline assistant is in attendance. So I cut up another sheet, tied 3/4 of it in one way or another, quartered the remaining piece and earnestly stitched some patterns onto those.

Poppy “assisting” with the tying…

BUT I idiotically ignored Annabel’s advice about which thread to use. I had a big cone of very tough linen upholstery thread, and smugly thought, I’m sure that will be perfect. Not so! I should have realised, because it was very hard to thread needles & tie knots in it; the ply kept splitting, though it certainly doesn’t break easily. But I’m good at knots and thought they’d hold… Of course, they didn’t. My heart sank when I opened the washing machine & saw loose threads visible amongst the now-green cotton. The tie-dyes came out well, but all I have of most of my carefully-stitched patterns are needle-holes in plain green fabric! A few did hold in places, and there are faint ghostly traces of leaves and stars and spirals here & there, but – mostly not. The thread seems to have actually stretched, as well as un-plying & un-knotting itself; I suppose upholstery threads don’t often get wet & just aren’t designed to withstand a soaking. Plus the agitation in the washing machine was probably too energetic and worked the dye in too well once it had started to loosen.

A very faint undone-stitch spiral, and tiny traces of grass-heads, but a nice clear bit of tie-dye…

Ah well! A lesson learnt. Learning to listen to people who really know what they’re doing, and take good advice, and also how NOT to do something, isn’t really time wasted. But now I have to think of what to do with 4 x 1/16ths of a large sheet of pretty much plain green cotton…though I do have these to play with as well…

These did turn out how I wanted them!

Oh, and that “real” baby? The one I need to make a quilt for? I’m going to be a Gran