The Great Shirt Project strikes again…

For several years now, I’ve been working on a one-woman challenge: to find as many uses for old shirts as I can! Every quilter knows there’s a whole lot of good, still-useful fabric in a decent gent’s shirt, often in lovely colours and nicely understated patterns, and so many of them just get chucked away when something frays, or a button falls off, or the owner gets larger or just goes off that colour. I’ve been paying 50p for superb quality cotton or linen shirts down at the recycler’s warehouse-shop, chopping them up and using the fabric in little quilts, and weaving the side-seams into bags and rugs, and making hanging “pockets”, needle books, mending kits and laptop covers, to name just a few of the ideas that have occurred to me. A few of the resulting items have even been sold.

Yesterday I experimented with some cuffs; I’ve been steadily selling lavender hearts made from the embroidered bits of old stained table linen, but they are delightfully feminine when all’s said & done. I wanted to make something that a guy would be happy to hang in his wardrobe to make his clothes smell fresh & deter moths, too. So now I’ve invented the Lavender Cuff! Time will tell whether anyone will ever actually buy one, but it’s got to be worth a try…

Lavender-stuffed cuffs!

But the thing that I really, really wanted to make was a hat. It struck me some time ago that the stiffened bits of a formal shirt, i.e. the collars and cuffs, would be ideal for making a hat, if I could just get them joined together somehow. But before I had my big Pfaff machine serviced, all my attempts came to nothing; I broke a number of needles and wrecked several collars trying. It could always have been done by hand, but that might have taken rather a long time, so it didn’t happen.

Anyway, I tried again yesterday, and to my delight & surprise, I succeeded. The machine ran perfectly, I squared the collars & cuffs off to make even joins, and found an elegantly simple pattern to try (pattern & instructions here) and – it worked! I am now the proud possessor of a shirt-collar-and-cuff hat… This one’s a bit big; I made the bigger size because lots of hats feel too tight for me, so there’s another, slightly smaller, version in the making, but I’m actually really rather proud of it and will certainly wear it!

Collar-and-cuff hat!

Bizarre!

How strange! I feel as if a beloved friend has just left us… the time had come to replace my Mac Mini. We’d had it for over 10 years and it had served us well; it’s been replaced with an updated version as that’s what does the things I need from a personal computer the best & fits the space available. It had become slower & slower over the last few months, and every now & then the fan would kick in audibly as it struggled; I suspect it had got very dusty inside. I opted to go for the trade-in option, as that means that anything that’s still usable inside the box will get re-used, and the bits that aren’t will be recycled rather than just sitting in a cupboard until I got round to chucking it out.

So I did the Mac-to-Mac transfer, which wasn’t as horrendous or time-consuming as I thought it might be, though there were one or two little blips. But Apple Support were great & smoothed it all out for me, and the New Mac Mini was up & running easily a couple of days ago. Yesterday I managed to track down all the bits of data that had wandered off to other folders, so today was “Wipe Mac-Mini-1” day. I followed the instructions on the Apple website to prepare it for returning to Apple, but as it came to clicking the “Erase Disk” option I felt a real pang of sorrow!

It’s very strange; I know I’ll feel the same when my beloved Mazda Bongo finally trundles off to the great scrapheap in the sky. Or if my 1909 Jones Medium treadled sewing machine jammed irreparably, something having broken inside. My head knows perfectly well that they’re just machines; they don’t have personalities, they’re not my “friends” no matter how useful they are, but somehow my heart “knows” otherwise. And I suspect that that’s one reason why I feel I have to do what I do; I see perfectly good old tools, furniture or books sitting in a skip or at an auction and somehow they seem to be begging, “rescue me!” But that does rather lead to an excessively cluttered home, despite my efforts to re-home stuff profitably.

I suppose the answer is, stay away from skips, scrapheaps and auctions. But please tell me I’m not alone, and that other people out there do sometimes feel the same, and that some of the good old stuff that’s tossed away in our wasteful society will also be rescued – just not always by me…

My beloved “rescued-via-Ebay-for-£2.50” Jones Medium treadle, still very much in use!

Not doing that again in a hurry…

How to mangle denim… but Poppy approves!

Well. Lockdown Stashbuster 4 is finally here, but I’m not exactly pleased with it. Best, I think, to describe it as a learning process!

For a long time I’ve wanted to do something with denim; I suppose I have, but never anything I’ve been proud of. The idea I had in my head for my “quick & dirty” use-it-up cot quilt no. 4 was a variation on denim “bricks in a wall” – basically 2½” wide strips, cut in random shortish lengths, joined seams-up & chenilled, with a few contrast stripes. (The eagle-eyed who know us well will spot the edges of our old kitchen curtains playing the part of the contrast stripes.) I didn’t think it would take very long…

1st lesson: most modern jeans are woven with a degree of stretch. I thought I’d specifically excluded any stretch denim when choosing the old jeans to chop up, but it turns out that most of them stretched a little in one direction or the other. Which caused the finished top to skew frantically, though I’d have sworn all my seams were straight whilst I was stitching them. In the end I had to cut about 3″ off each side, one at the “top” and the other at the “bottom”, to make it look remotely rectangular but there was no way I could get rid of a marked “bowing” effect in the middle.

Lesson 2: some jeans are fairly lightweight, others are – not. The difference in fabric weights means some “bricks” are “dominant” when it comes to chenilling, and look bigger in the finished article. And the heavier-weight fabrics are just that – heavier – and my shoulders were aching like mad with all the pushing & pulling by the time I’d finished quilting it very roughly. Next time I have an urge to use denim in an actual quilt, it’ll be lightweight, non-stretch shirt & skirt fabric only!

Lesson 3: choosing a fairly heavy calico for the backing wasn’t a particularly sane move either, though at least it “balances” the top. This quilt would work well for a restless toddler; it’s too heavy for an actual baby.

However, it’s not all bad news, because lesson 4 is that I’m no longer terrified of appliqué. I wanted some brighter splashes, and kites somehow floated into my mind (as they often do!) so I just ironed some double-sided interfacing onto some scrap red cotton, cut out some little kite shapes, ironed them on and using a very tiny zig-zag, stitched them down. The tails are just a double line of red lockstitch, going over some red frayed selvedge scraps.

Teeny tiny kites…

The centre contrast stripe has a strip of old hand-woven braid stitched on, rescued from an old sewing box that came in on an auction-won job lot. I had no idea whether it would wash well; it might have shrunk or bled colours, but I thought it had probably been washed many times before, & luckily it had & it didn’t.

At this point, the big Pfaff decided it had had enough for now and wanted to go off to see its friends at the repair shop for a service. Fair enough, we can cope without it for a month, and to be honest, it’s high time; having your sewing machine properly serviced every now & then is worth every penny, in my estimation. So Stashbuster 4 was bound with strips cut from an old shirt-back, then quilted on the old treadle. Very badly; I was getting rather fed up with it by then. I spent the next few days snipping the seams in every spare moment. Take it from me, denim is tough stuff. As well as hurting my hands & defeating my little chenilling scissors, forcing me to resort to spring-loaded shears, this caused a lot of fluff on the floor and knackered one of the heads of our hoover. Hopefully mended now!

So today I snipped the last seam with a sigh of relief & popped it into the washing machine. Needless to say, it wasn’t done with us yet; the washing machine pump blocked, so it failed to drain. But luckily I managed to clear the filter, which mysteriously contained 9 hair grips, a large scrunchy, and rather a lot of tiny fragments of denim. This seems to have put it right, thank heavens. We could do without having to call the engineers, just now.

Needless to say, I didn’t get the landing curtains finished. They really should be the next project, if only because that will clear a LOT of space in there, and make the landing look a bit less 1995. And we are getting close to the end of Lockdown II, though like most people in England we’ll be moving into Tier 2, so still fairly constrained, although the incidence of Covid-19 here is actually pretty low. But so is the hospital provision…

Anyway, end of lockdown notwithstanding, I have another idea; not sure if this one will be Lockdown 5, or Tier-2:1, but I’ve hardly made a dent in my stash yet…

Lockdown stashbuster 3…

Whilst sorting out the blue/green strips for Stashbuster 2, I realised I had a lot of smallish rectangles (or thereabouts) in the scrap drawer. So my plan for Stashbuster 3 was to use some of those up gainfully, trying out a different technique. So this time it was foundation-pieced onto some random lightweight cotton; I took the rectangles and placed them randomly on the foundation cotton, then swapped them round until I’d a) achieved coverage of the foundation piece, and b) something vaguely pleasing to the eye, provided that eye happens to like chaotic brightness.

Hmm… there are still a lot of holes!

Then I pinned the pieces into position, rolled it up & took it through to my big computerised (secondhand) Pfaff, and zig-zagged the pieces into position. Needless to say, a fair few had fallen off by the time I got to them, and I managed to stab myself with the pins umpteen times. I wonder if a dab of PVA in the centre of each scrap would have worked better?

Scraps zig-zagged on…

If I weren’t just stashbusting, I might have used some of the Pfaff’s enormous range of stitches and some interesting thread. However, in the cause of using stuff up whilst I actually have some time available, I just went for fast & furious. After cutting & sticking on some wadding & backing (which also did duty as the binding, folded over, ironed & stitched down) with that miraculous 505 spray, I transferred operations to my REAL sewing machine, the 1909 Jones treadle.

If I could only keep one machine, it’d be this one. Never skips a stitch or sulks.

It took a lot longer to quilt this one; it’s much more closely quilted. I chose to more-or-less echo the shapes of the rectangles and their overlaps. So if quilts got names, I’d call it “Corners” as I turned an awful lot of those! But the joy of working on an old-fashioned treadle is total control; it never runs away with you. Anyway, by this morning I was very nearly there…

Hours & hours of turning corners later…

All done by lunchtime! And has been washed, dried & stashed away with Stashbusters I & 2, waiting for small owners, should those days ever arrive! Mind you, I’m not saying they have to be human owners…

The finished article.

Stashbuster 4 will be somewhat of a change of direction… but there are a couple of large alteration projects to shift first, to make more room in the “Sewing studio” aka the spare bedroom. So I’ll allow myself at least a week to get this one done & dusted.

Rainy days…

It was quite tempting, this morning, to pull the wool over my my eyes and stay in bed… I have a lovely cosy wool duvet, which has proved to be a sound investment as it’s lasting really well and seems to keep me at the perfect temperature, winter or summer; no mean feat, with a lady of a Certain Age. Anyway, the wind was howling through the holly tree and the rain was hammering against the window panes; not exactly conducive to leaping out of bed with a happy smile and a willing heart.

But rainy days, like the clouds that spawn them, have silver linings. It’s a chance to catch up with some cooking – a batch of hob-nobs, some chicken stock & soup, and an aubergine bake all got done this morning – a little light housework (though it’s far too dark & grim for spring cleaning) and one or two projects that have been sitting on the back-burner for a while.

A number of vintage dressmaking patterns have been checked over before being offered for sale, and my neighbour’s handcranked sewing machine has been sorted out – I hope!

And this sturdy but curious little suitcase had been tripping people up in the conservatory for months. I’m not sure what it originally held – a musical instrument, maybe? – but it had a dark red plush lining, part of which had been ripped out. But I couldn’t help thinking that it would benefit from being introduced to some of the leftover sofa fabric… Result!

And here’s my “find” of the week: a set of 5 pristine vintage aluminium pans, most likely from the late 1940s. They came in with a vast collection of old knitting patterns, dating from the 1930s through to the 1970s; it seems from the few letters, etc. amongst them that the lady who collected them got married some time in the 1940s, and these look very much like a wedding present that had been stashed away and never used. They do have all their lids, and were separated by brown paper bags from Bourne & Hollingsworth of Oxford Street, W1.

Off now to sort out the best part of 1,000 vintage knitting patterns!

Don’t mind if I do!

mysterybox1

£5 for that big needlework box, and a few other items of interest? Don’t mind if I do, thank you! It’s quite heavy, though – full of books, maybe? But I’m on the run, no time to check…

mysterybox2

Ohmigosh, that’s not a book…

mysterybox3

It’s a rather-lovely little Singer Featherweight Plus 324! Complete, with instructions, looks as if it hasn’t seen a lot of use. Which may well have been due to the lint & old thread stuck in the shuttle race… Now spruced up, brushed out, oiled & stitching well. I gather that’s the original “case” – considering the pretty-awful & not exactly durable black plastic bases with grey plastic covers that they put the late-model 15Ks & 99Ks in, they get full marks for this one!

 

And another one…

fabricmuddle

…another resolution, that is.

Yesterday Dear Son no. 3 and I swapped him from one of the bigger upstair bedrooms back into the smallest one, the same one he had for a number of years before he went off to university. As he said, it made sense because he’s a minimalist and doesn’t have much “stuff” – oh, and it’s also a fair bit warmer, too!

Whereas I do have rather a lot of stuff… I’d been attempting to use that little room (9′ x 10′ but irregularly shaped) as a guest bedroom, a drying area, and a sewing studio, which had resulted in more or less complete chaos on the sewing side, although it was – just – functional. The drying rack & clean laundry could be swept up & re-deployed at a moment’s notice whenever DS1 came home for the weekend; not so the sewing bench and the vast accumulations of fabric, patterns & notions. To be fair, a large amount of these were things intended for re-sale, that had been deposited in there as a “safe” area to store them in. But they’d got hopelessly muddled up with the bits that I’m actually using or have realistically-achievable plans for…

So now the bigger, cooler room is piled high with bags of fabric, patterns, notions, lace, ribbons, paper etc. I was too tired to try to sort it out, after dismantling two beds, locating a third, and re-building two of them again as well as hauling all the stuff around so it’s still more or less as it was last night; tomorrow I will try to sort out a working area for the big Pfaff, the overlocker and the embellisher, and possibly even add a picture, if I’m brave enough. There are still several trunks full of DD2 & DS2’s belongings in there, too, as well as a “dead” wardrobe (unwanted and unduly rickety now) and the spare bedding! All of which apparently have to go somewhere

The point of mentioning all this is to say that I have resolved that this will be the year when I buy NO new craft materials or fabric; I already have more than enough, and enough to keep the stall stocked for several months, too. I’m excepting specialist materials like interfacing – although I have a whole roll of heavy sew-in interfacing, found at the Tip late last year – or 505 spray where they’re really needed to do a specific job that actually needs doing & I don’t already have something that I can make do. But no impulse buys, not even when they’re really, really good bargains…

I think this may be harder than it sounds…

New projects!

Sorry I’ve been somewhat uncommunicative lately; I’ve had a fair bit on my plate & couldn’t find any time or head-space for writing. But in the meantime I’ve been busy on the recycling/reinventing front: I’m going Glamping on a Shoestring!

I’m old enough to remember camping under canvas. Not family holidays; my dear Mama would die rather than go camping! But Girl Guide trips into the deepest darkest Devonian countryside, sleeping under canvas in blue ridge-tents, with a big white marquee to gather in on rainy days; evenings spent around the campfire, under the trees or on the beach and no access to anything electrical at all! And in my late teens, camping, hiking & canoeing in the wilder parts of Wales & Scotland, often (strangely enough) pitching up in pub gardens & other out-of-the-way spots. So when our kids came along, and several of them proved to be as sunburn-prone & heat-resistant as my dear husband, investing in a tent & camping gear rather than heading straight for the Costas seemed to be the best way forward.

And we did invest; we researched thoroughly & bought what seemed to be the best possible tents etc. for our situation, with the newest technology. And they certainly did last for more than one season; the oldest Khyam dome tent has only just bitten the dust, although we outgrew it fairly quickly. But more recent purchases have not proved as long-lasting, possibly because the younger users have got larger & more boisterous & often take them away without the benefit of parental supervision now. Also I’m no longer comfortable sleeping on the ground, after having had an early hip replacement, particularly not after working a 14-hour day. So as we head up towards the festival season again, I needed to replace some of the gear, and come up with new ways of coping – but on a shoestring. And I also wanted to recapture some of the magic of those long-ago days & nights under quiet, sturdy canvas, after too many nights of billowing, crackling rip-stop nylon, gap-toothed plastic zips & snapping, splintering carbon-fibre poles.

But my budget certainly doesn’t run to buying a bell-tent, lovely though they are. Or a camper van, which I must admit I’d love, though most modern ones seem to come with things like TVs, wardrobes and sound systems, which are the very things I want to get away from! And the running costs are (mostly) too high for them to be used as a second vehicle in regular use, and there isn’t room on the drive for a third vehicle. So I got to thinking, what could I find, make or make-do that might do the job and also delight my heart?

So Project Use-the-Car-as-a-Camper was born. There’s just enough room in the back of a Citroen C4 Grand Picasso for one shortish person to sleep in comfort; the rear seats all fold down flat, giving a 6′ length. We recently “did” the Vintage Nostalgia Show in Wiltshire as traders – lovely show, by the way! Highly recommended for vintage-style family fun – and I slept like a log, knowing that the rain wasn’t going to get in or the sides of the car fall in on me if yet another carbon-fibre pole snapped. I had an old self-inflating mattress and a small memory-foam topper, which was reasonably comfortable, plus sleeping bag, blanket & pillow, and was snug & warm as toast. I kept the morning daylight out by suspending an old dark-blue silk sari with safety-pins from elastic looped around the various protrusions round the top of the car; next time I’ll use a second loop around the door handles etc. to keep it tight to the car walls rather than dangling in my bedding. I’d previously invested in some IKEA Solvinden solar lamps, which give plenty of light for finding your way around, cleaning teeth & getting changed & can be recharged on your dashboard during the day so the battery’s not taking a battering whilst the car is stationary.

What didn’t work: getting changed was a bit of a nightmare with no head-room, particularly trying to get wellies on. And cooking on the tailgate was a bit more complicated than usual; I rolled my bed back out of the way but it wasn’t inclined to stay put! So I invested my profits from that show into buying a tailgate awning to run off the back of the car, which will give us cooking space & me a changing room when we do the next show, which is a 6-day run, with 3 of us camping. But that doesn’t even begin to recapture some of the magic of outdoor living that I remember…

So my next project is – Glamping-on-a-Shoestring! I have “borrowed” an idea from one of my fellow-traders, and bought a straightforward 3m canvas square with loops, which will be used (with guys) to make an outdoor living area; we already have some woven polyprop rugs, solar fairy lights, vintage camping chairs & tables to make it feel homely, and I wombled some tall steel poles from an elderly frame-tent to suspend it from. The tailgate awning and the girls’ two small tents will open into this, and I’ll pop a windbreak round the open sides. And thereby hangs another tale…

Our old windbreak is a bit too far gone to do the job. Somehow it’s shed two of its six poles, and developed several fairly-major holes. But luckily a friend had some spare wooden poles, and I’ve won some rather pretty canvas on Ebay. Now all I need to do is excavate my sewing machine from under the piles of random bits of stock awaiting assessment/repair/cleaning up/…

And although the self-inflating mattress/memory foam combo was comfy enough (if a bit slidey) I think I can do better. I’ve laid my hands on a feather sofa cushion, which is blissfully soft & warm whilst also being thick enough to work as a mini-mattress. I’m on the look-out for two or three more, so that I can literally rest in feather-bedded splendour, but have acquired enough smaller feather scatter cushions to make a mattress up if need be – time allowing!

So watch this space; there will be pictures! And don’t ask what I’m planning to do with the largish bits of canvas left over from the big old frame tent…

catsglamping
Tabitha & Tino like the idea of glamping…

“Nostalgia ain’t what it used to be…”

I’d planned to write something about – well, something else. But instead, I’m inspired to write again about Why Vintage? Life takes these funny twists & turns sometimes…

JonesSpool2
Lovely old Jones Spool from 1894. Still beautiful, still working…

 

One of my husband’s favourite sayings is, “Nostalgia ain’t what it used to be…” meaning that wistful looking back to an imaginary golden age is just that – more to do with imagination than reality. And I think it’s true that all throughout history, and probably prehistory, people have just muddled along as best they can & simply tried their best to stay afloat one way or another, but that’s not what we see when we look back. Looking back at the Roman invasion of Britain, we see fit, bronzed warriors in metal-studded miniskirts building long, straight roads in the summer sun, not miserable conscripts with dripping noses scrabbling in the winter mud, wishing they could wear woollen breeks like the natives, or tubby merchants gleefully piling up their denarii in their slave-driven centrally-heated homes. When we look back at the Tudors, we see the world-spanning voyages, the introduction of potatoes to Europe, Shakespeare penning his wonderful plays and poetry, and the fine, fantastical & wildly-impractical costumes of the wealthy, not the probably-somewhat-itchy home-dyed, spun & woven everyday wear & pease-pottage cuisine of the peasantry. When we look back at the 1940s, we see the slender waists, Victory Roll hairdos and glamorous lipsticks, not the look of dismay at the idea of Woolton Pie for tea again, and the mind-numbing terror of hearing, or worse still, ceasing to hear the whine of the doodlebugs…

Yesterday I had a conversation with my nearly-89-year-old mother. She cannot for the life of her understand why people would want to live in the past, in any way, shape or form, and how I can possibly make any money out of it. She remembers all too well the hard work, the misery of being so very cold but unable to afford to heat the house, or even the room she was sitting shivering in with her newborn baby; the sheer unrelenting effort of making sure that the wood was chopped, the garden crops were picked & processed before they spoilt (no matter what else had to be done) everything dusted, & polished & swept daily and all our clothes clean, starched & pressed. Yet I know of, and have sold things to, individuals, couples and even families whose homes & indeed lives are a shrine to a bygone era, who are looking for wooden dollies or tongs for their washing tubs, slate or marble slabs for their larders, carpet beaters for their pure-wool rugs. And I have a lot of sympathy with them. My mother has lived all her long life in the sparse bosom of the Church of England, and has no real sense of the tremendous disconnectedness of the world that we’re living in now. I think many of my customers are hoping to return to a time when it felt like life had some meaning, apart from just working to get as much money as possible in order to spend it as quickly as possible.

Some of the people I talk to are 20th-century re-enactors, rather than actually trying to live the life of our forebears all the time. But if I ask any of them why they do it, they all say that it’s the Blitz Spirit, the sense of everyone pulling together, & the fairness of rationing. They’ll mention that everyone was healthier, that things were built to last & be mendable, and the sheer exhilaration of mastering the dances. The fun of tinkering, of making things for yourself, and of rescuing good things that can still be useful, usually comes into it too. Possibly even the feeling of living on the edge, that every mission might be the one you didn’t come back from, that any infection might be fatal, that every dance might be your last, so that it all really meant something. And in some indefinable way, that life really was a lot simpler for having far fewer choices. Which is all so very far from how things are in our society now…

Affordability comes into it, too. None of them have been forced to live in the past by being broke & unable to afford modern conveniences; it’s a conscious choice they have all made, and sourcing authentic clothing, fabric & household items is rarely cheap, unless you’re very lucky. Most of our customers do have decent jobs or trades. But if you spend £50 on an old hand-cranked sewing machine, and keep it somewhere dry, brush it out & oil it regularly, it will keep going & doing the job it was designed to do for another hundred years. Your £25 mangle will still work long after your £250 tumble dryer has given up the ghost. Your preserving jars still work in a power cut. So it makes sense to invest a bit in good kit, to save money in the long term. You will need more time, to do things in the old-fashioned way, but it’s quite easy to find if you can give up some TV-watching, FaceBooking or gaming.

And I don’t see that it’s so very different to removing yourself to another country, which often seems to exist more in the mind of the ex-pats than in reality. The Spain with a great past and a wonderful future, where the sun shines all the time that the fireworks aren’t crackling, is not the same Spain where most young people have no chance of ever getting a decent job, or where you can suddenly find that you don’t in any sense own the property you handed over your life savings for. As L.P. Hartley put it in The Go-Between, “”The past is a foreign country: they do things differently there.” Maybe in some ways, they did things better, although not perhaps in the context of the book. Or the War, or the discrimination, or the lack of universal health provision…

Or maybe, we should be doing things better, so that people don’t feel the need to escape into the past. A lot of people don’t want to live in a constant electronic smog, or on mass-produced food with dubious ingredients, or wear ill-fitting semi-disposable garments, just because everybody else does and it’s all that’s available now. Some people even, to estate agents & local authorities’ horror, actually want a reasonable-sized garden, to grow & raise edible things in, not just a tiny outdoor entertainment space.

Is it nostalgia? Is it daydreaming? Or is it imagining a better, calmer, more creative & productive world? A world where things were built to last, out of the best available materials, with real craftsmanship, even if they cost more to start with? A world where fashion flattered the female form, rather than tried to erase it? Where bedlinen lasted for lifetimes, rather than months? Where fun didn’t consist of blowing up or running over imaginary opponents in a virtual maze? Where outdoors was not a scary place best paved over?

A world that could exist, bits of which have existed; a world that could made to exist if enough of us have the will to bring about the change?

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Vintage curtain fabrics & evening purse – lucky survivors, or made to last?

 

Something old, something new…

Recently a friend asked me whether I could make her a cot quilt for a baby girl. I’m no expert, but have made a few quilts now, and she’s just beginning to learn and didn’t feel confident enough yet to make one for a present. She didn’t need to twist my arm, although I have lots of other calls on my time just now; quilting is always a pleasure and a welcome retreat from the stresses & strains of everyday life. She wanted me to use new materials, and I happened to need to take a trip down west, so off I trotted to the lovely Becca’s Fabric Larder and ran riot with her budget. I need to point out here that making a quilt with new fabric of decent quality isn’t a cheap exercise; you can find fabric much cheaper, but will it stand up to the regular washing an item in constant use will get without shrinking or shredding? I actually prefer to use old, pre-used fabric, which is pre-shrunk and often of much higher quality than anything I can afford to use that’s available now. However, I do go to local quilt group stash-sales, and sometimes pick up bits other people haven’t used at affordable prices, and two of these fitted in with the other fabrics rather well, so they got used too.

Anyway, having over the last few years invested in some good-quality secondhand tools, after much patient watching, stalking & last-minute-bidding on Ebay, I was able to cut, piece, back, quilt & bind a 3′ x 4′ raggy quilt in a little over 4 days, alongside general family & business activities. Becca didn’t have the batting I wanted, but I was lucky enough to find a king-size portion online that someone else hadn’t used & was selling for less then half the price of buying new, including postage; it’ll do 4 cot quilts and a few bags too. And when it came to the binding, I wasn’t able to find anything ready-made that went with the fabrics I’d used. But at the market on Saturday, I was offered a deal I couldn’t refuse, by one of the house-clearance firms; three boxes, one containing filthy vintage handbags, one containing vintage clothes, and one of fabric scraps, for £10.

There are 15 high-quality leather handbags in the first box, including a Prada bag. Well worth cleaning up; they’ll earn that £10 back, and a fair bit more! Enough decent clothes in the second to keep me from clearing the clothes rails in my shed for a while, and in the third, some excellent fabric, including a length of pristine pure wool tweed, worth over £10 on its own. But what clinched the deal was spotting some dusky pink glazed cotton, just exactly the right colour to bind the quilt, easily enough to make a number of bias cuts. Imagine my surprise on getting it home and finding that there were two generous pieces, already cut on the diagonal – and two more blue pieces, cut just the same – they’d clearly come from a quilter’s stash! So I gathered my courage and cut my own binding; to my surprise it wasn’t hard, and I won’t be scared to do it next time. Anyway – quilt finished, washed, tumble-dried to fluff up the raggy bits, and handed over.

Raggy cot quilt
Raggy cot quilt

 

But there were bits left over… another friend had recently asked me to find her a knitting needle roll, and as she’s been kind enough to give us 3 beautiful budgies over the years, I thought I’d like to make her one to say thank-you. So the little left-over bits got themselves made up into this one:

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Knitting needle roll pieced from small scraps

And then I realised that the friend who’d asked me to make the quilt had a birthday, the very day that I was handing the quilt to her! And she’s rather fond of yarncrafts too, so the bigger leftovers, along with a few other scraps, were whisked up into this one:

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Big scrappy needle roll, with space for scissors, patterns etc.

So, I may have had to spend some money on all this (although it wasn’t actually my money anyway) but I have to say I’ve had so much fun with a  few bits of fabric that in my mind, at least, it was money well-spent!